The "Mir" cinema will show the collection «From Cannes to Kazan»

The paintings, which will open the Cannes Collection on July 7 in the cinema "Mir" will be the film "Still Waters Run Deep"  by  Bruno Dumont: Summer 1910. One after another  tourists  disappear, having    wandered into a quiet bay, where  the  Breforts live  -  a weird little family impoverished gatherers of mussels. Nearby,  in their  own house every summer spend   the Van Petegems, bourgeois with pretensions to decadence, but with obvious signs of mental disorders among all family members, except for Billy beauty. But  with her, in fact,  something is wrong. The families  obviously  do not like each other, but the young Malyut  Brefort and Billy Van Petegem suddenly feel attracted to each other. History is compounded by the fact that Brefort - cannibals, eating quietly lonely travelers. Their share  of  chaos  add   ambiguous  inspectors Mashan and Malfoy, who came to investigate the mysterious disappearance.

"Neon Demon" Nicolas Winding Refna- is the story of a young girl remarkably non-standard  beauty that gets into Los Angeles, hoping to become a fashion model. Her career begins at lightning speed, but as soon as she found himself on the podium, she becomes the object of malicious envy on the part of their senior companions. "Remember, - says one model in the film. - Nothing to do "in the profession after 21 years.

"Maid" by Park Chkhan show duo, which put on the ears half the Japanese capital: she  is – an ingenious  thief, he is - a brilliant swindler. The talented and unscrupulous criminals together and doing their business with enviable efficiency and speed, robbing the rich in Tokyo   and are always escaping from the police. But their new, most ambitious deal can be fatal for the lucky swindlers. She enters  a rich house as a servant, to ingratiate herself to the mistress and her husband.

"She" by Paul Verhoeven: the week before Christmas Michelle wakes up on the floor in her apartment. She was raped and eager to avenge her pursuer. Between him and the woman tied a psychological game of cat-and-mouse.

Showing of  Cannes collection ends a  festival   winner, winner of the Palme - "I, Daniel Blake," by Ken Loach. Daniel Blake - recently widowed childless hard worker, because of health problems has lost the last thing he had - the ability to earn a living. Blake is forced to seek help from the state and apply for benefits. In fact, it turns out that to do this for the elderly man is not easier than to prove Fermat's theorem: the application process is fully automated, and Blake had never held in the hands  any smartphone or computer mouse -   but only  a hammer.

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